The Long Dark Improvised Knife
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Contents.The Threepenny Opera A is a medieval version of the performed by strolling. In The Threepenny Opera, the Moritat singer with his introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman in 's (who was in turn based on the historical thief ). The Brecht-Weill version of the character was far more cruel and sinister and has been transformed into a modern.The play opens with the Moritat singer comparing Macheath (unfavorably) with a shark and then telling tales of his crimes: arson, robbery, rape, murder.The song was a last-minute addition that was inserted before its premiere in 1928 because, the actor who played Macheath, demanded that Brecht and Weill add another number that would more effectively introduce his character. However, Weill and Brecht decided the song should not be sung by Macheath himself, opting instead to write the song for a street singer in keeping with the Moritat tradition. At the premiere, the song was sung by, who played Police Chief Brown.
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Weill intended the Moritat to be accompanied by a, which was to be played by the singer. At the premiere, though, the barrel organ failed, and the pit orchestra (a jazz band) had to quickly provide the accompaniment for the street singer.
The Long Dark Improvised Knife Case
And the shark, it has teeth,And it wears them in the face.And Macheath, he has a knife,But the knife can't be seen.French translation The song was translated into French as ' La complainte de Mackie' by and Ninon Steinhoff and popularized. 1954 Blitzstein translation 'A Theme from The Threepenny Opera (Mack the Knife)'by'Back O' Town Blues'Released1956FormatRecorded28 September 1955Length3: 25,English lyrics, arr.The song was first introduced to American audiences in 1933 in the first English-language production of The Threepenny Opera. The English lyrics were by Gifford Cochran and Jerrold Krimsky. That production, however, was not successful, closing after a run of only ten days. In the best known English, from the 1954 version of The Threepenny Opera, which played for over six years, the words are.
Oh, the shark has pretty teeth, dear,And he shows them pearly whiteJust a has Macheath, dearAnd he keeps it out of sight.Blitzstein's translation provides the basis for most of the popular versions heard today, including those by (1956) and (1959; Darin's lyrics differ slightly), and most subsequent versions. Weill's widow, the star of both the original 1928 German production and the 1954 Blitzstein version, was present in the studio during Armstrong's recording. He spontaneously added her name to the lyrics ('Look out, Miss Lotte Lenya'), which already named several of Macheath's female victims.
The Armstrong version was later used by Bobby Darin.The rarely heard final stanza — not included in the original play, but added by Brecht for the 1931 —expresses the theme and compares the glittering world of the rich and powerful with the dark world of the poor. See the shark with teeth like razorsAll can read his open faceAnd Macheath has got a knife, butNot in such an obvious place.This version was performed by on the soundtrack of the 1994 film. Darin's and Lovett's versions play over the opening and closing credits, respectively. This interpretation was recorded by and in the later part of the 1990s.1994 translation A much darker translation by and into English was used for the 1994 Donmar Warehouse theatrical production in London. The new translation attempted to recapture the original tone of the song. This section does not any. Unsourced material may be challenged.
( February 2019) The song has been numerous times. Parodied 'Mack the Knife' in his opening monologue to the premiere of 's in 1977. In the mid-1980s, introduced, a character whose signature song was based on 'Mack the Knife'. There was a skit on, where the characters play upon the sinister nature of the lyrics. American political parodists the used the tune for their song 'Pack the Knife' on their 2002 album.See also.References., p. 79. Farneth, David (2000).
Kurt Weill: A Life in Pictures and Documents. Woodstock, New York: Overlook Press. Pp. 75–78., pp. 81–82. Retrieved 8 October 2014. Jos Willems (2006). Scarecrow Press. Retrieved 29 August 2016.
at the. at the. interviewed on the (1969). Retrieved 2016-08-29. Retrieved 2016-08-29. on. Retrieved 8 October 2014.
on (note: this performance omits the music box version). onSources. (2002). Stardust Melodies: The Biography of Twelve of America's Most Popular Songs. New York: Pantheon Books.External links. on, sung by (3:39). on YouTube (2:48)., 1 April 2004.
at the.